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Design

When I first joined the ODYSSEY, I was purely a writer, but I found a strong interest in design, because of the freedom and control it gave me over how stories were consumed and engaged with. As the News Editor, I did the design for the news section of our news-magazine, working hard to avoid the more boring designs News often had, and make the section pop this year. On the web, as the Digital Managing Editor, with everything I post, I make the layout as engaging to the eye as possible, to capture the reader as best as I can. 

Dean's direction design

This was my first ever design for the newsmagazine. On the first two pages, I allowed the visual to have the spotlight, and used white space to make the single column of text stand out, which I think struck a nice balance and stopped the visual from being overly dominant. The second spread was a lot harder until I decided to focus on the design element of hexagons to make the pictures stand out and give it a cohesive theme and made it less overwhelming to the eye. 

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Awards:

  • SIPA Newsmagazine Feature Package contest First Place

  • GSPA Double Truck Layout/Design Superior

The digital divide design

With this design, I had to make a less than 1,000 word story fit four pages. I first tried relying heavily on white space, but with the couple illustrations I had and low word count, it just felt too empty. I still love how the white space looks in the design, but I added square outlines into the design, which helped to fill the blank space and make the elements I had feel stronger.

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Awards:

  • GSPA Double Truck Layout/Design Superior

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East Clayton Street Improvement Project design

With this design, I wanted to find a way to incorporate some graphics of the plans for the renovations, and so acquired a copy of the plans from the city. I didn't want the story to just be a basic two-page spread, so I tried to mix around the placing of the photos and the text. I also had a lot of fun with the "E. Clayton St." sign in the headline, which I took out of a picture and touched up with Adobe Photoshop.

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Carrying the community design

This story was very information heavy and very dense, and so we had to find a way to make it engaging visually, and to convey as much information as possible through the design. I collaborated on this design with our 2020-21 Editor-In-Chief, Naomi Hendershot, and we spent a while looking at other newsmagazines and other designs to brainstorm for how to approach the design. 

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Stepping up to the stage design

This profile had some really great photos, so I wanted to do them justice with my packaging. I had to figure out some complicated coding in order to make the pictures large, and move when you scroll, but I am really proud  of how it turned out. Click here to view the story on the web.

Community through creation

This package has a lot of different visuals and voices, which I tried to highlight through the package. Because it was about a crafting community, there were a lot of colorful visuals, which I tried to keep cohesive and display in a visually appealing way. Click here to view the story on the web.

Separate worlds infographic

For my story “Separate worlds,” I created an infographic for the web to complement my story and explain what self-segregation, the core issue of the story, was, as well as provide a quick overview of the information contained in the article. 

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Learning design

In addition to a design unit in my Journalism 1 class, I have attended several design sessions at GSPA, SIPA, and NSPA. At SIPA, I attended a four hour long pre-conference sessions about design, and recently at NSPA attended several about how to make your designs stand out. Here I have my notes from NSPA.

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